Roberto Abraham Scaruffi

Friday 12 December 2014


Weekend reading on nybooks.comFood in literature, film, and art, how China is reckoning with its violent past, Ebola and trust in Liberia, the “clear and terrible voice” of Elena Ferrante, and a photographer’s Brooklyn inspiration.
 
Patricia Storace
Sandra M. Gilbert’s new book is an imaginative culinary survey, a kind of personal and intellectual cabinet of treasures.
 
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Ian Johnson
Part I: On the group of writers behind Remembrance, an unofficial publication that deals with one of China’s most sensitive issues: its history
Part II: On the long-censored case of a group of elite schoolgirls who tortured their vice-principal to death in 1966 during the Cultural Revolution
 
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Rachel Donadio
Elena Ferrante’s anonymity has one significant effect: the teller recedes for the sake of the tale.
 
Sarah Birke
In a central square in Raqqa, heads are posted on spikes with a sign above them indicating what transgression was involved. The square used to be called Sahat al-Naem, or paradise, but is now dubbed with the rhymingSahat al-Jaheem, or hell; the doctor I met told me she took a route to work that took three times as long just to avoid it.
 
Helen Epstein
When the Health Ministry requested $1.5 million in emergency funds to fight Ebola last spring, many Liberians assumed this was just another scam to steal more foreign aid.
 
Michael Greenberg
On Steven Hirsch’s photographs of the toxic waters in Brooklyn’s Gowanus Canal